Assistant Professor of Teaching in the Music Industry Program at UC Riverside. He is a multi-instrumentalist, composer, audio engineer, music producer, and owner of Studio B Recording in Los Angeles. His work spans world music, jazz, chamber music, and experimental media.

Composer and audio researcher focused on high-density loudspeaker arrays, dynamic timbres, virtual drum machines, and performer-computer interaction. His software includes FFTease and LyonPotpourri. He teaches in the School of Performing Arts at Virginia Tech.

A composer and media artist whose practice integrates sound, artificial intelligence, generative systems, motion tracking, extended reality, and interactive audiovisual performance. Her works have been presented internationally at NIME, ICAD, SEAMUS, and ICMC.

A performance artist and researcher combining dance, ritual, light installation, and data. Rooted in ceremonial life with the Yaqui nation and fields like astrophysics and robotics, their work explores altered corporeal awareness and speculative relations.

Electronic musician and senior researcher at IRCAM, where he founded the Music Representation team. His work explores machine musicianship, creative AI, and machine improvisation. He is the recipient of a European Research Council Advanced Grant for the REACH project.

Italian musician, researcher, and improviser specializing in human-machine interaction. A doctoral candidate at Sorbonne Université and researcher in IRCAM’s Music Representation team, contributing to the ERC REACH project and Somax2 development.

Composer and pianist exploring mixed music, real-time interaction, instrumental virtuosity, and the production of spatio-temporal forms in listening space. She has received honors including the Giga-Hertz Prize and the ICMA Audience Award.

Composer and researcher encompassing instrumental, electroacoustic, mixed, and audiovisual music. His research focuses on electronic music composition, improvisation, and the development of tools for mixed and electroacoustic creation.

An internationally active percussion soloist whose repertoire includes more than 400 solo and concerto works. He has collaborated closely with composers including Cage, Berio, Saariaho, Grisey, Donatoni, and Manoury.

Composer and researcher with a background in engineering, composition, and conducting. His work focuses on generative music, creative systems, mathematical models in computer-assisted composition, and listening strategies. Currently associated with IRCAM and iReMus-Sorbonne.

Romanian composer exploring symbiotic relationships between music, video, and performance. His compositions have been presented internationally by Ensemble Dal Niente, ELISION Ensemble, and JACK Quartet. He is a lecturer at Stanford University’s CCRMA.

Digital media artist working across experimental video, multimedia performance, installation, and interactive art. Her practice explores symbolic and expressive uses of digital visual effects in collaboration with musicians and programmers.

AI researcher focusing on large language models, machine learning, and generative models for music and sound synthesis. He has worked at Stanford University’s Department of Electrical Engineering and AI Lab.

Mixed-realities director and researcher working at the intersection of art, neuroscience, immersive environments, and theatre. Associate professor at the National University of Theatre and Film “I.L. Caragiale” in Bucharest.

Intermedia composer-performer whose work integrates multi-instrumental performance, electroacoustic composition, live-processed visual media, and immersive audiovisual environments. Her work examines technology, affect, identity, and culture.

Associate Professor and Co-P.I. of the Creative Music Technology Lab at the Georgia Institute of Technology. His creative and research work focuses on improvisation, jazz performance, performer-computer interaction, and live computer music.

Guitarist, composer, and educator bridging performance, technology, sound design, and creative research. His practice combines jazz, electroacoustic, and popular music traditions with interactive music systems and algorithmic composition.